As DEI initiatives continue to face cuts and dismantling, the American Black Film Festival (ABFF) stands as a radiant force in the chaos, a space where Black excellence is not just celebrated but revered. The ABFF Honors, held at the SLS Hotel in Beverly Hills, Calif. on Feb. 17, was a testament to that mission, filled with joy, reverence and deep appreciation for the artists shaping our culture.
The night opened on a high note with a soul-stirring choir performance of “The Best Is Yet to Come,” setting the tone for an electrifying and deeply moving evening. Attendees were treated to a thoughtfully curated menu by Chef Nicole Friday, adding to the night’s sense of warmth and intentionality.
ABFF co-founder Jeff Friday’s dedication to honoring and uplifting Black creatives was at the heart of the celebration, with host Zainab Johnson bringing her signature charm and sharp humor. She had the crowd in stitches, particularly as she playfully guided them on the correct pronunciation of Giancarlo Esposito’s name before flawlessly reenacting his iconic lines from Do the Right Thing.
The evening’s honorees offered powerful insights into their journeys, illustrating why they stood on that stage, recognized for their artistry and impact.
Image: Kelvin Bulluck / Nice Crowd for ABFF.
Anthony Mackie kicked off the awards by presenting the Excellence in the Arts Award (Male) to Esposito, recalling his first awe-filled encounter with the actor at just 18-years-old—an encounter that has now come full circle as they work together in Captain America: Brave New World. In his acceptance speech, Esposito reflected on his career, sharing a profound lesson: “I learned to move out of the way and let my craft speak for itself.”
Regina King had the honor of presenting the Hollywood Legacy Award to the legendary Marla Gibbs. Recounting fond memories from their time on 227, King paid tribute to Gibbs’ lasting influence. At 94-years-old, Gibbs remains as vibrant and passionate as ever, closing her speech with the powerful words: “Since you watched, I am.”—a seamless reflection of the evening’s central themes of community and legacy.
Keke Palmer, recipient of ABFF’s Excellence in the Arts Award, made it clear that her success is not hers alone. “I owe it all to my community,” she said, emphasizing the collective power behind individual triumphs.
Kelvin Harrison Jr. presented the Rising Star Award to Aaron Pierre, a talent on the rise whose journey is a testament to perseverance. Pierre dedicated the award to his grandmother, sharing the raw realities of his path—moments of doubt, struggles, and even having a bank balance below zero. Yet, his speech radiated gratitude, a reminder that resilience and faith can transform dreams into reality.
The night’s final honor went to Aunjanue Ellis-Taylor, who received the Excellence in the Arts Award (Female). Her speech was both fiery and reflective, acknowledging the pain of white hatred while celebrating the moments that affirm Black artists’ contributions. She left the audience with an unforgettable statement: “How can you accept someone into something that they made?” It’s a sharp reminder that Black art is not an addition to American culture; it is American culture.
The evening was made possible by sponsors like Ally, whose commitment to diversity and Black storytellers was on full display. Their stunning floral activation was more than just décor—it was a symbolic gesture, reminding everyone in attendance that they deserve to receive their flowers while they can still smell them.
From the laughter to the tears, from the moments of reflection to the resounding joy, ABFF Honors provided something we all need in these uncertain times: a sense of home.
